The Gentlemen Season 2 Fashion Brand Breakdown: How to Shop the Outfits

When The Gentlemen returned to Netflix for Season 2 in September 2026, the criminal plotting was only part of the attraction. Guy Ritchie’s world still runs on threats, black comedy, crooked deals, and people smiling while making very unpleasant decisions. But there was another language being spoken throughout the season, and it was cut in wool, velvet, silk, leather, and gold.

Costume designer Loulou Bontemps takes the style established in the first season and pushes it into more expensive, more confident territory. The familiar British country-house look is still there, with tweed, waxed jackets and traditional tailoring, but Season 2 adds a very different setting to the mix. Once Eddie Horniman (Theo James) and Susie Glass (Kaya Scodelario) begin extending their cannabis operation beyond Halstead Manor, the story moves toward Lake Maggiore in Northern Italy. Suddenly, the wardrobe has room to breathe.

Heavy country fabrics give way to lightweight tailoring, Italian silk and stronger Mediterranean colors. The change is not subtle, and that is exactly the point. Eddie and Susie are no longer simply trying to survive the criminal world they inherited. They are becoming players in it.

For viewers who follow the clothes as closely as the plot, Season 2 is packed with recognizable luxury labels, independent British brands, statement watches and carefully chosen accessories. The clothes are rarely just decoration. They tell us who has money, who wants everyone to know about it, and who would rather keep that information hidden.

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Loulou Bontemps’ Approach to Season 2

Bontemps approaches the second season as a continuation of the characters’ personal growth. The people we met in Season 1 have been forced to learn quickly. They understand the business now. They know the risks, and they have become much more comfortable making decisions that would have horrified them earlier in the story.

That change appears in the wardrobe almost immediately.

Season 1 often relied on a slightly restrained British country aesthetic. Season 2 is sharper. There is more confidence in the tailoring and a much wider range of textures and colors. Bontemps also makes a point of using authentic British manufacturers, independent labels and established fashion houses rather than creating a generic idea of “rich people clothes.”

That distinction matters. A bespoke Savile Row-style suit communicates something very different from a luxury tracksuit, just as a weather-beaten country jacket tells a different story from a silk dinner dress. Even the more extravagant pieces feel connected to the characters rather than randomly dropped into the frame.

The result is a wardrobe that constantly reinforces hierarchy. In The Gentlemen, people can walk into a room without saying much at all and still make their position perfectly clear.

Eddie Horniman: From Reluctant Duke to International Kingpin

Theo James’ Eddie Horniman starts the series as a man who has inherited a title, an estate and a problem he never really asked for. His clothes in the first season reflected that discomfort. He looked like an aristocrat trying to maintain control while everything around him became increasingly chaotic.

Season 2 changes that.

Eddie is still recognizably British, but there is far less hesitation in his wardrobe. The silhouettes become cleaner, the colors stronger and the styling more relaxed when he reaches Italy. He has stopped looking like someone caught in an unfortunate situation and started looking like someone who understands exactly what he is doing.

The Casely-Hayford Teal Suit

The standout Eddie look is his teal double-breasted suit from British label Casely-Hayford. More specifically, the outfit is built around the Christophe suit, combined with a rich burgundy patterned tie and Church’s Burwood brogues.

It is one of those costumes that tells you where a character is emotionally without needing a line of dialogue.

The structured shoulders and double-breasted cut give Eddie an unmistakable presence, while the deep teal color separates him from the muted earth tones that dominated his earlier wardrobe. He is still a Duke, but now he looks comfortable behaving like a criminal boss.

The Church’s brogues are important too. They keep the outfit connected to traditional English tailoring rather than allowing the brighter suit to turn into something overly flashy.

Polo Ralph Lauren, Cordings and the Country Wardrobe

The Italian expansion does not erase Eddie’s connection to Halstead Manor. When he returns to the estate, the wardrobe becomes much more rooted in British country clothing.

Cordings of Piccadilly remains an important part of that look, bringing the sort of heritage pieces that feel completely at home around an English estate. Eddie also wears the Polo Ralph Lauren Reversible Tweed Poplin Topcoat, a particularly useful piece because it captures the contradiction at the heart of his character.

One side gives him traditional English tweed. The other uses a more practical poplin construction. It is almost a physical representation of Eddie himself: aristocratic on one side, increasingly pragmatic on the other.

His layering remains relatively restrained, with classic knitwear from Sunspel and pique shirts from Lacoste appearing alongside the outerwear.

Susie Glass: Luxury as Psychological Armor

If Eddie’s wardrobe is about controlled evolution, Susie’s clothes are much more confrontational.

Kaya Scodelario’s Susie Glass has always treated fashion as part of her armor. She does not simply enter a room dressed well. She enters looking like she already knows how the conversation will end.

Season 2 gives that attitude even more room to develop, particularly once she begins dealing with the Italian criminal establishment.

People Like Us and the Velvet Power Suit

One of Susie’s strongest early looks comes from British independent label People Like Us, also known as PLC Studio.

The outfit consists of the brand’s Velvet Smoking Jacket, matching Velvet All-Day Suit Trousers and a Reversible Velvet Cummerbund.

It takes the familiar idea of power dressing and makes it considerably more theatrical. Instead of the predictable wool business suit, Susie wears velvet. The fabric catches the light, changes with movement and gives the entire outfit a tactile quality that would be impossible to get from conventional corporate tailoring.

There is something slightly dangerous about it, which suits Susie perfectly.

She does not need to look conventional to establish authority. Quite the opposite.

Roberto Cavalli and the Italian Transformation

Susie’s wardrobe becomes even more expressive when she arrives in Northern Italy and starts dealing with figures such as Cico, played by Michele Morrone.

At Eddie and Bella’s rehearsal dinner party, Bontemps puts Susie in a vibrant green silk dress by Roberto Cavalli. The choice is deliberately theatrical. According to the design team’s explanation, the serpentine green color and fluid silk were intended to evoke the image of a snake moving into the party, watching everyone and quietly judging where the danger might be.

That is very Susie.

The dress does not simply make her look glamorous. It gives the scene a visual metaphor for the character. She appears elegant, but there is something predatory underneath it.

The White Wedding Outfit

Then comes the wedding.

Susie arrives dressed entirely in white, breaking one of the most recognizable rules of wedding etiquette. It is an unusually blunt fashion decision for a character who normally communicates through more subtle signals.

The wardrobe choice reinforces her refusal to play by other people’s rules. She is not interested in blending into the social environment or making herself comfortable for everyone else. Her authority is part of the costume.

Even when the setting becomes more casual, Susie keeps that same defensive quality. During the tense sauna scene, she remains surrounded by statement Chanel jewelry and oversized sunglasses from luxury brands such as Michael Kors.

The environment may be relaxed. Susie isn’t.

The Watches: Where Wealth Becomes Visible

Guy Ritchie’s characters have always understood the value of visual shorthand, and watches are particularly effective for that. A character can say almost nothing and still communicate wealth, taste and status through what is sitting on their wrist.

Season 2 takes that idea further, especially with Eddie.

Eddie Horniman’s Watch Collection

Eddie’s changing watches effectively chart his growing wealth and international ambitions.

• Rolex Daytona Panda: His regular watch for handling business around home, combining classic sporting design with the kind of reliability that fits Eddie’s practical side.
• Gold Omega Speedmaster: Appearing during his Italian travels, the gold case adds warmth and extravagance that suits the Mediterranean setting.
• Audemars Piguet Royal Oak Perpetual Calendar: As Eddie’s operation becomes more international, the watch communicates another level of wealth and exclusivity.
• Jaeger-LeCoultre Reverso Tribute Chronograph: Appearing during a major psychological turning point, this becomes one of the more significant pieces in Eddie’s collection.

The progression is easy to read. Eddie starts with recognizable luxury and gradually moves toward watches that feel more specialized and exclusive.

Susie’s Answer

Susie has her own response to Eddie’s watch game.

During one important confrontation between the two characters, she wears a Jaeger-LeCoultre Reverso of her own, visually matching Eddie’s rectangular Reverso. It is a small detail, but the framing gives it weight.

Their matching watches suggest an understanding between two people who rarely need to explain themselves. Neither one has to openly declare that they recognize the other’s position. The watches do that quietly.

Even Bobby Glass, played by Ray Winstone, keeps the visual language of authority alive while incarcerated. His Panerai gives him the same rugged luxury associated with his character outside prison. His circumstances have changed. His presence has not.

The Supporting Cast Has Plenty to Say With Clothes

The fashion work does not stop with Eddie and Susie. Several supporting characters help expand the visual world of Season 2, particularly by showing different versions of British wealth and working-class country style.

Lady Sabrina

Joely Richardson’s Lady Sabrina, the Dowager Duchess, represents a more refined version of the English country-estate aesthetic. Her clothes have the same aristocratic roots as Eddie’s, but there is a distinctly European polish to them.

One of her most memorable looks arrives in Episode 7, when she wears a custom reversible robe by Connolly.

The piece is made with 100% silk on one side and silk velvet on the other. It was developed in collaboration with Maison Belinac and Bennett Silks, giving what could have been a simple robe the level of craftsmanship expected from a luxury fashion house.

Geoff Seacombe

Vinnie Jones’ Geoff remains much closer to traditional country clothing.

As the estate’s loyal gamekeeper, he is frequently dressed in practical sporting coats from House of Bruar, waxed jackets from Barbour and structured baker boy hats from Marks & Spencer.

There is no need for Geoff to dress like Eddie. His clothes communicate his role before he even speaks. The jackets are functional, weather-ready and unmistakably British.

That contrast between characters is one of the reasons the costume design works so well. Everyone occupies a different corner of the same world.

The Streetwear Side of The Gentlemen

The series is not all bespoke tailoring and aristocratic outerwear. There is also a strong streetwear thread running through the criminal world.

The Sergio Tacchini Damarindo Velour Track Top makes a return from Season 1, strengthening the label’s connection to the show’s polished athletic aesthetic. It feels particularly appropriate for a series that constantly moves between luxury estates, criminal meetings and more informal environments.

Netflix also used the Season 2 release to introduce official fashion capsules, including streetwear collaborations with Champion and heritage-influenced lifestyle pieces with Ted Baker.

Those collections helped move the show’s visual identity outside the screen and into physical retail, including Selfridges in London.

Key Brands for Recreating The Gentlemen Season 2 Style

You do not need Eddie’s estate or Susie’s criminal empire to borrow something from their wardrobes. The easiest approach is to focus on the same categories that define the costumes.

1. Sharp Tailoring

For Eddie’s side of the wardrobe, Casely-Hayford is the obvious reference point. Crow & Jester also fits the aesthetic, while Massimo Dutti and Reiss offer more accessible ways to recreate the structured double-breasted silhouette.

Look for strong shoulders, clean trousers, restrained patterns and fabrics with enough weight to hold the shape.

2. British Country Heritage

Cordings of Piccadilly, House of Bruar and Barbour are central references for the country-estate side of the show.

Holland Cooper is another useful option, particularly for women’s pieces such as the Ariella Blouse.

The key is not simply buying tweed. The styling works because the clothes look functional as well as expensive.

3. Footwear

Church’s provides the classic English brogue side of the wardrobe, while Fairfax & Favor is particularly relevant for boots.

The brand’s Upton and Regina knee-high boots fit naturally into the polished country-luxury aesthetic seen throughout the series.

4. Accessories

Accessories are where the characters can become much more distinctive.

Independent British jeweler Elizabeth Gage works for the more individualistic luxury approach, while Oliver Peoples provides the understated sunglasses aesthetic.

For leather goods, structured pieces such as the Hermès Birkin 25 sit comfortably within the show’s vision of old-money luxury.

The Fashion Language of Season 2

What makes The Gentlemen Season 2’s costume design interesting is not simply the number of expensive brands involved. It is the way those clothes change as the story moves between environments.

Halstead Manor belongs to tweed, waxed cotton, traditional tailoring and practical layers. Italy brings silk, brighter colors and softer silhouettes. The criminal hierarchy exists in both places, but the clothes change depending on how the characters need to present themselves.

Eddie’s teal Casely-Hayford suit says something different from his reversible Polo Ralph Lauren topcoat. Susie’s green Roberto Cavalli dress communicates something completely different from her velvet People Like Us suit. Yet both wardrobes remain recognizable as belonging to the same increasingly sophisticated criminal world.

That is where Bontemps gets the most out of the material. The costumes are not simply there to make Theo James and Kaya Scodelario look expensive, although they certainly do. They track confidence, power, geography and changing relationships without turning every outfit into an obvious costume gimmick.

And that is probably why the clothes stick in the memory after an episode ends. You remember the teal suit. You remember Susie’s green silk dress. You notice the matching Reversos. You remember that Geoff looks like he could disappear into an English field for six hours and come back having solved a murder.

The fashion of Season 2 works because it belongs to the characters. British countrywear, Italian silk, luxury watches, velvet tailoring and streetwear all become parts of the same visual language. The Gentlemen simply happens to speak that language with a very expensive accent.